
Netflix Canceled The Boroughs While It Was Still in the Top Ten
The Boroughs had a 97% on Rotten Tomatoes, a writers' room prepping season two, and Geena Davis fully committed. Netflix killed it anyway.
Music, film, TV, and the culture moving around them.

The Boroughs had a 97% on Rotten Tomatoes, a writers' room prepping season two, and Geena Davis fully committed. Netflix killed it anyway.

The opposition to the $110.9 billion Paramount-WBD merger isn't really about antitrust theory. It's about who gets paid to make things in Hollywood, and who doesn't.

Pelley accused CBS leadership of pressuring journalists to bend stories for the White House. They fired him the next day. That sequence is the story.

HBO ended Euphoria by killing the girl it spent three seasons begging us to root for. It's the bleakest possible read on addiction — and the only one Sam Levinson was ever going to write.

Paramount Skydance hired Jeffrey Kessler not because it expects to win cleanly, but because the $110 billion Warner Bros. deal is the antitrust fight of the decade.

Disney's first Star Wars film since 2019 hits theaters today. It's built to turn a profit. Whether it can actually fix what's broken is a different question.

Three albums in thirteen days, Spotify records shattered. Drake isn't trying to win the culture back — he's trying to drown the conversation.

Pitchfork called BROWN soulless. Brown called back. Neither side is going to win this one the way they think.

Marvel's bloodiest project to date isn't really about kills. It's about a man trying not to put the gun in his own mouth — and that's the whole point.

Netflix quietly pulled alphabetical sorting and other discovery tools from its desktop site. The move isn't a bug fix — it's a choice about who controls what you watch.

Two Miami-Dade deputies say Affleck and Damon's Netflix movie made them look like thieves. The lawsuit is a stress test for Hollywood's favorite disclaimer.

Her first solo show in three years was 400 people, no phones, and new songs. The album cycle has quietly begun.

Saturday Night Live is pulling its best numbers in years, but the Season 51 lineup reads like a greatest-hits tour. That's not necessarily a compliment.
The discourse is doing what discourse does. The show is doing something stranger and quieter and worth talking about — once everybody calms down.